TIP OF THE WEEK April 16, 2008

Fixing Color Cast - By Tim Grey - Tim Grey Digital Dark Room

##########

Tim Gray sends out these tips via e-mail. It is a worthwhile e-mail list to join. Here are the details of his e-mail list.

Support the DDQ E-mail Service

Contributions from readers like you are the only compensation for the time and effort that goes into producing this email service. You can help support this effort by becoming a contributor. Besides helping to ensure this service remains viable, you'll gain access to a searchable archive of all prior questions and have the opportunity to have your own questions considered for inclusion in the DDQ email. Details can be found here:
www.timgrey.com/ddq/

########## now for a very useful tip #####

When I was at Photoshop World in Orlando I saw you present a cool technique for fixing really bad color casts in an image, but I missed part of it. Can you remind me of the steps involved?

==========

Absolutely. This techniques comes across as being pure magic (which is why I like to present it!), and it can be incredibly helpful when you have an extreme color cast. This can happen with digital captures when the color temperature is set to a wrong value, but usually this degree of color cast comes from things such as old color photos that have become faded or otherwise shifted in color with time.

The first step is to create a copy of the Background image layer by dragging that layer to the Create a New Layer button at the bottom of the Layers palette. Then you need to determine the color of the color cast so you can compensate for it. To do so, select Filter > Blur > Average from the menu. This will convert this layer to a single color that represents the average color of all pixels in the image. Of course, this is the problem color, so you need to determine the opposite of it so you can apply it as a compensation for the color cast. To determine that opposite color, select Image > Adjustments > Invert from the menu. This will convert the layer to the opposite of the average layer, which means it is the opposite of the color cast.

To apply this color to the underlying image, set the blend mode to Color using the drop down at the top-left of the Layers palette. This blend mode will cause the layer to alter only the color of the underlying image, completely offsetting the strong color cast. The problem is, this will result in too strong an effect, with a color cast that is the opposite of the original, but much stronger. To tone things down and produce an image without a color cast, simply reduce the Opacity using the slider at the top-right of the Layers palette. Adjust the value until you have a perfectly neutral color in the image.

The final result will represent relatively accurate color, but it will probably appear a bit flat and possibly lacking saturation. To compensate for this you'll need to boost saturation (using a Hue/Saturation adjustment layer) and contrast (using Levels or Curves).

##########

TIP OF THE WEEK April 2, 2008

New Photoshop Resource - School of Information

This is a great new resource that I found. It starts with basics but it has many different levels so keep looking and you may find just what you need. In fact if you go to the "School of Information" link at the top of this post and go down to "Graphics and Multimedia" and then click on "more..." you will find all kinds of useful information. For basics just choose the link "Digital Imaging Basics"
TIP OF THE WEEK March 25, 2008

Duplicate Image - By Tim Grey - Tim Grey Digital Dark Room

Follow-up to the question from March 17, 2008 [regarding a recommended workflow for preparing images for output]: Once youĂ­ve saved your master image, is it necessary to make an image duplicate? Is it acceptable to work on this file as is in preparation for final output, with resizing, sharpening, etc., recognizing that you would need to do a Convert to Profile (e.g. if you were converting to a jpg) and then a Save As? While this works, is your recommendation based on the desire to take all precautions to avoid altering, by some mistake in final preparation, the master file?

==========

My recommendation to create a working copy of your image (by selecting Image > Duplicate from the menu) is indeed focused on making sure you don't inadvertently replace your original master image that contains all the adjustment and image layers with a flattened image that has potentially been resized to a much smaller size. You would certainly get the same result by working on your master image, then selecting File > Save As to save a copy. However, you run the risk of accidentally saving the file with the same name as your master image file (such as by selecting File > Save by mistake). In my mind, it is much better to take one extra step to create a working copy of all images when preparing for output rather than risk even once replacing your master image file by mistake.

##########
TIP OF THE WEEK March 14, 2008

Tips From the Top Floor

This is a site that we haven't visited before but there is a link to it on the Photoshop Resource list to the left of this post.

The curves tool tip is one of the many tips in the Photoshop Corner, which is a regular segment on Tips From the Top Floor. If you haven't learned to use the curves tool it is one of the best tools in Photoshop CS2 and CS3. I almost never print an image without applying a curves adjustment layer to the image. So for this great tip go to http://www.tipsfromthetopfloor.com/psc/psc02.php and check out this great resoruce.

By the way - if you click on the "listen to this tip" you will get voice and an image of the tip being discussed.

There are many additional tips on this site so have fun exploring.
TIP OF THE WEEK March 3, 2008

Photoshop TV

March 4th episode

This week Photoshop TV has several useful tips which include using the layer alignment tool, sharpening, cropping with restrained proportions and how to create styles.

Photoshop TV is one of my favorite sites, it contains many great tips every week and they are fun to watch.

One hint - when watching these videos - skim through the advertising to get to the actual tips. You can do this by clicking on the slider bar at the bottom of the video. It is also useful when you want to write down your tips and need to go through the same portion over again.

Have fun with this one.

Also check out the new links to the left. I have added some links and taken some away.
TIP OF THE WEEK

Fixing Red Eye - By Tim Grey - Tim Grey Digital Dark Room

The first step is to create a layer that will allow you to fix the color problem, specifically the red that should not appear in the pupil of the eye. Start by creating a new empty image layer by clicking on the Create a New Layer button (it has a blank sheet of paper icon on it) at the bottom of the Layers palette, and change the Blend Mode to Color with the dropdown at the top-left of the Layers palette. Select the Brush tool from the Tools palette, and from the Brush dropdown on the Options bar select a normal round brush and set the Hardness to 0%. Zoom in on the eye area, and use the left and right square bracket keys ("[" and "]") to reduce and enlarge the size of the brush, respectively, so the brush is about the same size as the pupil. Press "D" to set the colors to the default values of black and white, making sure black is the foreground color (press "X" to exchange foreground and background colors if necessary to make black the foreground color). Click on the pupil of the eye, possibly clicking a few times to eliminate the red color.

Chances are the pupil is now a bit too light, so the next step is to darken it up a bit. Create another new layer on the Layers palette, and this time change the Mode to Overlay. With the same Brush tool and basic settings, including black as the foreground color, change the Opacity setting on the Options bar to around 20%, and then click again on the pupil. You may need to click a few times to darken up the pupil enough. Be sure to zoom out a bit to get a better perspective on the actual effect.

If the entire iris is also getting changed to black, there's a good chance you're simply selecting too large an area for the Red Eye tool, and need to instead select only the pupil so the red color cast there can be neutralized without affecting the iris. However, I find that the Red Eye tool more often than not doesn't quite affect the correct area, so I don't even bother trying and instead use a manual method that -- while a bit more involved -- produces better results.

Repeat this process for all of the eyes in the image that need to be fixed. Switch to the Color layer to fix the red color, and the Overlay layer to darken the pupil. Note that if the iris needs a bit of color correction, you can click the foreground color on the Tools palette and then select a new color. Simply paint with that color on the Color layer you created to change the color of the iris as desired, without altering the texture.

##########
TIP OF THE WEEK

The Marquee Tool

Go to this URL
http://tricks.onigo.net/2006/08/01/2mpt-38-marquee-tool-tip/

Click on the blue arrow - an audio turorial will start that explains in depth how to use this tool. Enjoy this tip - I found it very useful.



TIP OF THE WEEK

Straightening the horizon on an image in Photoshop

I use this technique often when I am preparing an image.

Go to

http://www.watchandlearnphotoshop.com/tipsandtricks04.html

then go down to "Straightening the horizon" and watch and learn as they, not only explain, but demo how to do this.
Photoshop Is Coming To NYSAES
This Summer


This summer the Frank A. Lee Library will be offering a series of Photoshop workshops.

Go to the insturuction page to check out all of the workshops we will be offering from January through this July.

Until then, this page will be listing useful information - tips and tricks, links to on-line resources and other types of information about photoshop that you may find helpful.

Please feel free to e-mail
me at mji4@cornell.edu with additional questions.

Jane Irwin